From their early singles for Concrete Records to their genre defying ‘Worshiping the Doller’ lp, the Dub Pistols have always added a much needed Rock n Roll swagger to the UK’s dance scene. Chewing up hip-hop, dub, techno, ska & punk & spitting them out in a renegade futuristic skank they have consistently defied genres & exceeded the highest of expectations.
One of the most rock & roll acts out there, Barry Ashworth’s merry band of reprobates — the unstoppable Dub Pistols — are staying true to form with their sixth long-player. It’s called ‘White Lines’, although Barry is keen to stress that the title isn’t some sort of blatant drug reference. “It’s about the number of white lines we see on motorways and at airports when we’re travelling around all the time,” he says.
Bass. The Dubs continue to be one of the busiest bands on the circuit. Seemingly no music festival is complete without their riotous blend of ska, dub, hip-hop, electro, breakbeat, punk and drum & bass. Good times are guaranteed when the Dub Pistols blaze in to fire up the joint, and they’ll party all night — if you let them — until the motorway sun comes up with the morning light.
Over the years the Dubs have earned their ticket to ride the white line highway — and if you aren’t already hooked, baby, it’s nobody else’s fault. They originally grew out of the DJ sound system that Barry Ashworth started with cohort Jason O’Bryan in the mid-90s.
